Each painting of his animal subjects is deeply emotional. ![]() Not only was he fascinated by their anatomy and environment, but also by their rich inner worlds. Marc showed several of his new paintings at the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich in late 1911.įranz Marc was captivated by the study of animals. Marc and fellow artists in the group, such as Macke and Kandinsky formed an artist's circle which was focused on the importance of colour, expression, and symbolism. This painting, Blaues Pferd, or Blue Horse, by the Expressionist painter Franz Marc was created in 1911, the same year that Marc founded The Blue Riders (Der Blaue Reiter) ![]() Staedtische Galerie im Lenbachhaus, Germany. William McGregor Paxton Paintings (136).Sir Lawrence Alma-Tadema Paintings (245).Frederick Arthur Bridgman Paintings (208).John Frederick Herring Sr Paintings (852).John William Waterhouse Paintings (118).Frederick Carl Frieseke Paintings (185).Charles Courtney Curran Paintings (150).Cassius Marcellus Coolidge Paintings (30).Maurice Brazil Prendergast Paintings (349).Frederick Childe Hassam Paintings (808).Henri de Toulouse-Lautrec Paintings (279).Marc’s work continues to captivate audiences and collectors through the warmth, timelessness, and expressive nature of his style at Sotheby’s his Grazing Horses III sold for $24.4 million in 2008 and The Waterfall (Women Under a Waterfall) for $20.2 million in 2007. Guggenheim, New York the Museum of Modern Art, New York the Art Institute of Chicago, and many others. His works can be found at every major institution of modern art including the Solomon R. Like Die Brücke, the other major branch of German Expressionism, Blue Rider dispelled at the start of World War I Marc died instantly during the battle of Verdun in 1916 at the age of thirty-six.Īs a fundamental member of Blue Rider, Marc’s works remain crucial lynchpins in the development of Western modernism. Marc’s images of animals and nature, presented through richly saturated, surprising color distinctions and juxtapositions, provided emotional meaning that had been separated from connotation of subject. Beginning in 1911 the major Blue Rider exhibitions, led by Macke and Kandinsky, exemplified the height of German Expressionism as the culmination of Fauvist chromatic liberation, Cubist dissection of form and the aesthetic and ethical questions permeating Western Europe leading up to World War I. ![]() The members of the group had divergent approaches to painting, but shared in common the desire to achieve spiritual truth through artistic production. After studying fine art and traveling throughout Western Europe, he befriended Vassily Kandinsky, Auguste Macke and Alexej von Jawlensky, who together formed the Blue Rider. Marc was born in 1880 in Munich to Wilhelm Marc, an established landscape and genre painter. Marc consistently turned to animals as subject as a means to explore the mystical, spiritual world outside of industrialization and the quickly modernizing world of Western Europe. He was known for his vibrant palette and expressionistic use of color in his paintings and prints. German Expressionist painter Franz Marc was a leading figure of Der Blaue Reiter (The Blue Rider), a journal and sprawling artistic group in Germany during the years leading up to the first World War.
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